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Minggu, 28 November 2010

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  • Jumat, 26 November 2010

  • Ebook Download Northern Arizona Space Training (Postcards of America), by Kevin Schindler

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    Product details

    Series: Postcards of America

    Card Book: 15 pages

    Publisher: Arcadia Publishing; Pos edition (June 19, 2017)

    Language: English

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    Shipping Weight: 0.6 ounces (View shipping rates and policies)

    Average Customer Review:

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    Amazon Best Sellers Rank:

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    Interesting and very visual story of the preparation for the moon landing of 50 years ago. For those wanting the back story of how astronauts trained for the moon walks, read this brief, but informationn-filled book.

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  • Download Ebook Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe, by Arthur C. Danto

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    From Publishers Weekly

    The erotically candid photographs of Robert Mapplethorpe, who died of AIDS in 1989, became the focus for the controversy over federal funding of the arts. Danto, professor emeritus of philosophy at Columbia and an art critic for the Nation, proclaims that Mapplethorpe produced "some of the most shocking and indeed some of the most dangerous images in modern photography, or even in the history of art." While acknowledging the ostensibly pornographic content of many of Mapplethorpe's photographs, especially his sadomasochistic pictures, Danto argues that the work transcends pornography because of the "moral relationship between subject and artist," a core of trust that made his photographs explorations, risks and revelations. Mapplethorpe's subjects, he writes, are touched with a beauty and transcendence that lift them above their tawdry surroundings. Danto won the 1990 National Book Critics Circle prize for criticism for Encounters and Reflections. Illustrated. Copyright 1995 Reed Business Information, Inc.

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    From Library Journal

    Describing and dissecting Mapplethorpe's oeuvre and place in art history might be given as an entrance exam for aspiring critics. Perhaps no other contemporary photographer has been so widely written about, yet virtually no one seems capable of addressing the whole of his work. Supporters too often ignore the uncomfortable content or discuss the beauty of contradiction, while detractors make little effort to go past a superficial reading or ignore the work altogether to focus on the individual. With characteristic lucidity, Danto, art critic for The Nation, brings the whole of the man and his multifaceted works into focus in the title essay here. That essay is a reprint from Mapplethorpe (Random, 1992), however, brought together with a brief introduction discussing the National Endowment for the Arts-controversy and a 1988 (read precontroversy) review of a Mapplethorpe show. Libraries already owning the Random House illustrated book need not purchase this title for the addendum; libraries that lack that catalog should purchase it to give patrons a chance both to see what the fuss is about and to read Danto's illuminating words.?Eric Bryant, "Library Journal"Copyright 1995 Reed Business Information, Inc.

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    See all Editorial Reviews

    Product details

    Hardcover: 208 pages

    Publisher: University of California Press (October 20, 1995)

    Language: English

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    Average Customer Review:

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    4 customer reviews

    Amazon Best Sellers Rank:

    #499,368 in Books (See Top 100 in Books)

    Arthur Danto's essay is very enjoyable and is as smart as anything he's written elsewhere. By the time I was old enough to really be aware of Mapplethorpe's work, the controversy was already in full swing, so it's very interesting to experience it through Danto's story of seeing the famous show before the media went nuts.The photographs are remarkable, which is to be expected.

    love it!

    The three essays here, along with 29 of Mapplethorpe's photographs, provide an invaluable opportunity to address the work in a reasoned and engaged manner. In some important sense, it is no longer possible to experience the work of Robert Mapplethorpe as directly as one might have in 1988, for now "the images have become celebrities," made notorious, even, by the legal and moral controversies that have so prominently surrounded the work. (5) More importantly, however, Danto attempts to answer the question of how to look at art, particularly difficult or "awkward" art such as Mapplethorpe's, without oversimplifying what is seen. (93)In the main body of the book, the critical essay of the same title, Danto's seriousness avoids no questions, but thankfully acknowledges the ultimate futility of asking whether such work is art or pornography. This false disjunction results from the failure to hold together both form and content when looking at art. For Danto, art is the transcendence of form and content; it is both and neither, for it moves beyond both while in some sense preserving them in the work. Although Danto needlessly complicates matters with his use of the terminology of Hegel's dialectic to articulate this transcendence, his discussion is clear enough otherwise. This is best seen in his analysis of the respective testimonies of the legislators and the experts at the Cincinnati trial in which the Contemporary Arts Center and its director, Dennis Barrie, were ultimately acquitted of pandering obscenity and child pornography. Danto shows that while the legislators saw the content and ignored the form, the art experts for the defence saw the form and ignored the content. Though this resulted in the acquittal, Danto rightly emphasizes that for Mapplethorpe, the work was all about making pornography that was art; he "literally became a pornographer with high artistic aims." (78) In Mapplethorpe's words, a work can "be pornography and still have redeeming social value. It can be both, which is my whole point in doing it-to have all the elements of pornography and yet have a structure of lighting that makes it go beyond what it is." (89-90) This attempt to "go beyond what it is" both illustrates Danto's conception of art as transcendence and defines Mapplethorpe's work in particular as a "playing with the edge." (77)Danto identifies trust as the constant attribute of Mapplethorpe's work which allows the form and content to remain together. "The moral relationship between subject and artist was a condition for the artistic form the images took. The formalism was connected to the content through the mediation of that moral relationship." (79) This trust is attested to by the formal quality of the images, in that they are titled with the subjects' names, posed and lighted in formal abstraction, and clearly constitute something the subjects have allowed, thus presenting the subjects as themselves, but not candidly, rather as they have agreed to be presented. (39) This is why acts of sex are themselves generally not depicted, for here the formalism cannot be maintained. In Mapplethorpe's work, however, there is always the danger of losing this formal control and going "over the edge." (79) It is not just a question of sex and the vulnerability inherent therein, but of danger and violence. For Danto, "a presumption that one's partner could be trusted . . . is the basic connection between sex and love." (41) He ties this trust to "the spontaneous human appetite for feeling danger and being protected at once . . ." (42) The combination of sex, danger, and violence, when contained by formalism through trust, is evident not only in the overtly sexual or violent works. Indeed, Danto is perhaps at his literary best in his discussion of these elements in relation to Mapplethorpe's flowers, fruits, vegetables, and finally the portraits of statues.Danto's discussion of Mapplethorpe's work is frank, clear, and engaged. In neither oversimplifying the seriousness of the issues nor avoiding the questions raised by the work, he nonetheless leaves open its moral status. This is a great benefit. When it is a matter of "playing with the edge," different people will ultimately experience such an encounter differently. Indeed, this frames what may be the most problematic aspect of looking at Mapplethorpe's work: "It is supposed to be shocking. When morality changes so that it is no longer shocking, Mapplethorpe's intentions will fall away into incomprehensibility." (112) Although his assessment of the historical importance of this work--and that of the seventies in America generally--will surely not persuade everyone, the main achievement here is that Danto gives the reader solid handles by which to grapple with a difficult body of work.

    Danto is a perceptive and knowledgeable art critic whose text is worth the price of this book. The photos are well printed and carefully chosen to illustrate the essays. As an introduction for newcomers to Mapplethorpe this book is perfect. HOWEVER I purchased this book used on this website and found upon receipt two of the plates of the more controversial prints had been RIPPED, not cut, out of the book with great force, loosening the binding. If the jerk who did it ever reads this: Arthur Danto's descriptive talent almost compensates for the visual loss so you should have defaced the words as well. And shame on the bookseller who I believe knowingly sold this damaged volume without disclosure. My decision to keep this book comes from my bibliophilic heart- a book damaged in just this way epitomizes our society's heavyhanded sexual prudery. It's a collector's item, almost a sculpture. Now if the brute had only signed it...

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  • Selasa, 23 November 2010

  • Free Ebook Private Property and Public Power: Eminent Domain in Philadelphia

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    Debbie Becher is Assistant Professor of Sociology at Barnard College, Columbia University.

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    Product details

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    Language: English

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  • Jumat, 19 November 2010

  • PDF Download The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success

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    The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success

    The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success


    The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success


    PDF Download The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success

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    The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success

    Product details

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    Audible Audiobook

    Listening Length: 8 hours and 19 minutes

    Program Type: Audiobook

    Version: Unabridged

    Publisher: Macmillan Audio

    Audible.com Release Date: November 1, 2012

    Whispersync for Voice: Ready

    Language: English, English

    ASIN: B00A0162ZG

    Amazon Best Sellers Rank:

    Author states that he isn't trying to glorify psychopaths, but... uh... based on his choice of words, he kind of does.There are interesting references to studies as to the why and how of being a psychopaths.I would agree that certain psychopathic behaviors are, arguably, more well-suited for our modern society. For example, the average person generally fears rejection by the others; the psychopath does not. The average person might dwell and feel defeated by failures; the psychopath does not. The average person's behaviors made more sense when we lived in small, tight-knit social groups where reputation was everything; when we lived in areas where threat of ambush by a predator was immediate and so mistakes were deadly. But it is arguable the psychopath's behaviors are more suited in the world we live in now: large cities where we pass by countless strangers we will never meet again; where all predators have been eradicated so mistakes are less costly.However, the author's admiration of many of the psychopathic traits is too palpable and a turn off. The book would have been more enjoyable if only the author wrote in a more clinical fashion.

    A bizarre and grotesque salute to the minds that are responsible for every genocide, most premeditated murders, modern economic meltdowns and financial destruction of average people, exploitation of people through physical and psychological slavery, ruthless manipulation of vulnerable people, large scale schemes of financial looting, and so on. The author celebrates, with giddy enthusiasm, the very character traits which have brought about so much death and human misery. I would like to see the author's results after testing for sociopathy.

    This book has some interesting points: that game theory explains some of what psychopaths are doing, that there may be a genetic predisposition to psychopathy,that psychopathy has a physiological origin in the brain, and that certain kinds of societies might foster more psychopathy. The author also makes the point that it can be adaptive in certain circumstances.But I could not stand the breathless, pop-psychology writing style of the author. There were too many rhymes, puns, and silly witticisms. It was distracting. I would have liked this book more if it did not talk down to its audience, assuming that the reader needs all this "entertainment" to keep reading. It should have been written in a more sober and scholarly way, given the serious subject matter.

    Psychopaths are fascinating; this book isn't. The first 75 pages are terrific. It gets repetitive after that.There is depth to The Wisdom of Psychopaths. It gets past the cliché that psychopaths don't feel empathy it turns out they are acute observers of others, it just doesn't motivate their behavior. The review of the research on identifying the characteristics of a psychopath and their behavioral characteristics is thorough and insightful. For example: it is an over simplification to say psychopaths are risk takers; they are more motivated by rewards, but their risk assessment is normal.The main point is there are characteristics of psychopaths that, in certain contexts, are beneficial. Psychopaths are cool under pressure. The calm a psychopath feels during stressful situation is similar to the way an expert responds. Society may be stronger with psychopaths; they are leaders and can be effective against outsiders.After reading the book, I didn't feel like I could emulate psychopaths and start personally reaping the benefits. I am more trusting of my psychopath spidy-sense - it turns out that chill is fairly accurate. I am now suspicious of charmers.The thing that ruins the book for me (and seemed to create the repetition) was the way the author used his quest for knowledge as the narrative for the book. Academic research is dry, the trend is to spice it use using the "story" of how the research was conducted. This doesn't work. Either find a compelling story or stick to very tight analysis.

    Great gift with a funny twist!

    Interesting useful perspective for clinicians working with psychopaths. Author is a bit full of himself and his writing style gets annoying at times.

    Just had a difficult time reading it.

    The best part of this book is the title and a couple of pages that have some value-added information. The rest is an undisciplined and rambling recounting of various conversations and speculations. The basic idea and title is gripping -- no doubt. But when you read it, you keep waiting for the book to actually start and then realize it is just wheel spinning.Reminds me of all those overrated Oliver Sachs books that needed editing and more substance to support the clever titles.

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  • Kamis, 14 Oktober 2010

  • Ebook Download Christopher Grey's Studio Lighting Techniques for Photography, by Christopher Grey

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    Christopher Grey's Studio Lighting Techniques for Photography, by Christopher Grey

    Review

    "Each chapter is almost like a tip in a tip book, except that rather then tell you what to do without providing understanding, the author explores each subject in great detail."  —Nikonians.org

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    About the Author

    Christopher Grey is a noted photographer, author, speaker and instructor who has written numerous books on photography, lighting and camera systems. He's the recipient of national and international awards for his work, and considers each day another opportunity to ask his favorite professional question, "What if...?"

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    Product details

    Paperback: 127 pages

    Publisher: Amherst Media; unknown edition (October 1, 2009)

    Language: English

    ISBN-10: 1584282711

    ISBN-13: 978-1584282716

    Product Dimensions:

    8.5 x 0.4 x 10.9 inches

    Shipping Weight: 15.5 ounces

    Average Customer Review:

    4.3 out of 5 stars

    29 customer reviews

    Amazon Best Sellers Rank:

    #1,485,949 in Books (See Top 100 in Books)

    NOTE: I wrote this review from the perspective of someone who read the first book and then bought this book to learn new things. If you have never read the first book you might find this book more useful than I did. Depending on your level of expertise, however, you might want to buy the first book over this one. Complete beginners will find the first book easier to follow. That being said I find the quality of content and presentation in this book to exceed the first. Therefore, if you are more comfortable with lighting and or would like to take a deep plunge into lighting go with this one. Now for the reviewThis book is much better than the first book by the same author titled Master Lighting Guide. It offers a more in depth higher quality presentation of studio lighting. Hence, the author attempts to provide the reader with a solid understanding of studio lighting principles. The first section focuses on explaining, with plenty of pictures, the relationship between light physical size and relative size, distance, spread depth, and feathering.The second section consists of 20 topics or so that put the principles stated above into practice. Some are very unique and new like the inverse relation between specularity and size of softbox or the nature of umbrellas and how they differ from softboxes. That last topic is a full departure from the previous book in which the author leaves the impression that both modifiers -softboxes and umbrellas- are very similar when in reality they are not. Another great topic is about how to position a light meter for proper reading. That topic can eliminate much frustration with aiming light meters.There are other section that seem to have been pretty much lifted from the previous book like the simulated sunlight topic which offers nothing more than one new but minor technique. A couple other topics don't add much like the topic about Why Strip Lights are so Cool which sounds very cool until you read it and realize that it pretty much adds nothing more than few extra pages to the book.I think the book is very good, but very short and in a sense comes across as an incomplete work. I can't say the same about the first book which I felt was the opposite, complete in the range of topics but poor in quality of material. I still bought the first book anyway because it was the only available reference at the time. Given this book is short and covers many similar topics, but in a better way, I wonder why the author did not consider adding the new content of this book to the first book in a revised and expanded edition instead of a new book. That would have created a complete and excellent quality book that has no match on the market today.I recommend the book to advanced amateurs and new professionals but I also recommended checking it in a bookstore first because some might not find it very valuable. It's just not one of those books that you can give full 5 stars and a blind buy it right away recommendation.One last note: the author refers to softboxes sizes as 4x6 large, 3x4 medium, and 2x3 small. This designation might be confusing for people when they go to buy softboxes based on his recommendation. Many major softboxes manufacturers including Creative Light and Photoflex label 4x6 extra large, 3x4 large, and 2x3 medium. Chimera on the other hand goes by the same designations the author is using.

    This supplements his first book quite nicely. I have recently taken it upon myself to learn to use my lighting equipment properly. This was one area in which I was never trained. He writes this book assuming you know something about exposure and metering. It moves quickly, beats no subjects into the ground, and covers all the basics with excellent picture references. I highly recommend it! Now, where'd I put my light meter....

    I have read Mr. Grey's work before so when I purchased some studio lights recently I went looking for a book to assist me. When I found this book I stopped looking.The examples are excellent (photos and diagrams) and as always the text is informative and easy to understand.I highly recommend this book to anyone getting started with studio lighting. Learn from a master photographer!

    Help my photography.

    As a classroom instructor of photography for twenty years, I appreciate the basic info that Chris Grey has compiled in his two lighting guides. This studio guide was a natural addition to my classroom required reading and reference book collection. Customers should consider his first book "Master Lighting Guide for Portrait Photographers" as "part 1" of this collection.

    The book is very easy to follow with good photo examples. I keep the book as a reference and great source for inspiration. If I can't figure out how to do a lighting situation or run into a problem with my setup I find my answers in this book. I look forward to buying more books from Christopher Grey as his writing is down-to-earth and educational.

    Christopher Grey's studio lighting is an excellent reference book for beginners or the full time pro. Beautifully illustrated with color photos showing high key, low key solutions with optional modifiers. How to use flash meter, sequence shots showing same head with short lighting, broad lighting,loop,rembrandt, and butterfly. Depth of light, hair and feathering. umbrellas, soft boxes strip boxes and his favorite large book end reflector panels. This is fine companion to his other books.

    As someone who has been intimidated by this subject and taken refuge in the mantra 'available light is always best' this book was a revelation. I realised recently that most of the portraits I really like had usually employed some type of strobe lighting in a very subtle manner. This book has given me the insight into the techniques that might hopefully elevate my work to a new level.

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  • Selasa, 05 Oktober 2010

  • Free PDF The Curse of Oak Island: The Story of the World's Longest Treasure Hunt

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    The Curse of Oak Island: The Story of the World's Longest Treasure Hunt

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    The Curse of Oak Island: The Story of the World's Longest Treasure Hunt


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    The Curse of Oak Island: The Story of the World's Longest Treasure Hunt

    Product details

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    Audible Audiobook

    Listening Length: 16 hours and 37 minutes

    Program Type: Audiobook

    Version: Unabridged

    Publisher: Brilliance Audio

    Scheduled Audible.com Release Date: March 19, 2019

    Whispersync for Voice: Ready

    Language: English, English

    ASIN: B07P5GDL3C

    Amazon Best Sellers Rank:

    Firstly, the story of Oak Island is a full of many people such as explorers, investors etc. So it does not come as a shock there are many characters to follow. This is especially true since the author has included all the history since it’s discovery in late 1700s. However, I found it very bogged down with many details, some I found unnecessary. I was also disappointed that while he gave extensive details on theories, he completely glazed past the ivory whistle that had been found on the island. Previous to reading this book, I had never heard of the ivory whistle and I consider myself a big fan of the show. He mentions it once and gives no details of how it was found, who found it and where it is now. These details is what interests me about the entire conspiracy. I am less interested in every little detail of how big the shafts were created. The extensive history he gives on every theory (and there is many many theories) lost me. I became bored over this far fetched and wordy description. I love history but even as a history fanatic, the relation to the history he provided and Oak Island was far stretched. Overall, it was very hard to follow and I found unorganized in thought. Perhaps he could have organized each chapter by a time period of exploration. This would have made things more clear. He jumped around so much it was not enjoyable to read.

    Randall Sullivan has gone above all expectations and delivered The Most in depth history of Oak Island written to date. He gives an honest inside look at the past and present treasure hunt on Oak Island and this is a MUST READ for any Oak Island enthusiast! The book is filled with facts and Randall took his Rolling Stone article and built a literary monument of a book. His style is so palatable that even pages and pages of accounts of past bore holes are intriguing again and each theory is weighed realisticly and with solid facts. I’ve followed Oak Island for a while now and I absolutely enjoyed every page of this book! This is the real story behind the hit tv show also, and the Truth about the people behind it and the people involved in the hunt. Sullivan is an excellent & experienced writer, highly recommend it.

    The book was well researched and well written. It flows well without dragging. The book covers the 200+ year long history of the search of/for the Money Pit through the current TV show with the Laginas. This book fills in a lot of the details that are mentioned only briefly on the show. The book also does a good job of tying together pertinent information. Like why finding Shaft 6 could be an important break thru in relocating the Money Pit's location lost since the collapse in 1861.Sullivan does a great job in debunking some of the more dubious theories presented by both past treasure hunters and in the War Room guest theorist episodes. The historical research and explanation of the possible involvement of Francis Bacon is well done. Good read, highly recommended.

    I was looking forward to this book.. I have seen some of the episodes of the series, The Curse of Oak Island, but not all of them. Mr. Sullivan did tons of research , I found the book a little lacking. I would have liked more information about the men, past and present who obsessed about the Money Pit, and more about the archaeological dig. It was a valiant effort on Mr. Sullivan's part. Just wished the book had a little more meat to it.

    Having watched nearly every episode of The Curse of Oak Island I decided to buy this book after seeing the author on the show. The book is very well researched and mentions details that are not in the show. The only complaint I have is the chapter on Francis Bacon; it is way too long. I nearly lost interest part way through that chapter. I would liked to have read more about the current search and the people involved.

    If you only read one book about Oak Island, this is it. Describes the history from the beginning, the people, the theories, the books, major articles, and the amazing finds recently made that literally influence the history of this continent.For all the "dry" aspect of the history the author does an excellent job of putting excitement and intrigue into the story. I was not disappointed and highly recommend this book even if you have been a faithful follower of the show as have I. Many insights into the show and events surrounding the making of it. GREAT book!!!!

    A great read. Yes, it's full of details. The book is very well written and takes the reader through 200 plus years of information up to the present day TV show. For those of you who had negative comments about the book, I'm not quite sure you actually read it. Kudos to Mr. Sullivan, a job well done.

    I almost didn't buy this book because I read an unfavorable review on another website. For an Oak Island aficionado, this book could be required reading. It is extremely informative and the author develops the timeline of events in an authentic manner that reflects the research he has done. The tie-ins to the television show are entertaining without distracting from the overall story. I could wish for maps and pictures. I hope he will be able to issue a new edition when the Lagina brothers find the treasure.

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