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Christopher Grey's Studio Lighting Techniques for Photography, by Christopher Grey
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Review
"Each chapter is almost like a tip in a tip book, except that rather then tell you what to do without providing understanding, the author explores each subject in great detail." —Nikonians.org
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About the Author
Christopher Grey is a noted photographer, author, speaker and instructor who has written numerous books on photography, lighting and camera systems. He's the recipient of national and international awards for his work, and considers each day another opportunity to ask his favorite professional question, "What if...?"
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Product details
Paperback: 127 pages
Publisher: Amherst Media; unknown edition (October 1, 2009)
Language: English
ISBN-10: 1584282711
ISBN-13: 978-1584282716
Product Dimensions:
8.5 x 0.4 x 10.9 inches
Shipping Weight: 15.5 ounces
Average Customer Review:
4.3 out of 5 stars
29 customer reviews
Amazon Best Sellers Rank:
#1,485,949 in Books (See Top 100 in Books)
NOTE: I wrote this review from the perspective of someone who read the first book and then bought this book to learn new things. If you have never read the first book you might find this book more useful than I did. Depending on your level of expertise, however, you might want to buy the first book over this one. Complete beginners will find the first book easier to follow. That being said I find the quality of content and presentation in this book to exceed the first. Therefore, if you are more comfortable with lighting and or would like to take a deep plunge into lighting go with this one. Now for the reviewThis book is much better than the first book by the same author titled Master Lighting Guide. It offers a more in depth higher quality presentation of studio lighting. Hence, the author attempts to provide the reader with a solid understanding of studio lighting principles. The first section focuses on explaining, with plenty of pictures, the relationship between light physical size and relative size, distance, spread depth, and feathering.The second section consists of 20 topics or so that put the principles stated above into practice. Some are very unique and new like the inverse relation between specularity and size of softbox or the nature of umbrellas and how they differ from softboxes. That last topic is a full departure from the previous book in which the author leaves the impression that both modifiers -softboxes and umbrellas- are very similar when in reality they are not. Another great topic is about how to position a light meter for proper reading. That topic can eliminate much frustration with aiming light meters.There are other section that seem to have been pretty much lifted from the previous book like the simulated sunlight topic which offers nothing more than one new but minor technique. A couple other topics don't add much like the topic about Why Strip Lights are so Cool which sounds very cool until you read it and realize that it pretty much adds nothing more than few extra pages to the book.I think the book is very good, but very short and in a sense comes across as an incomplete work. I can't say the same about the first book which I felt was the opposite, complete in the range of topics but poor in quality of material. I still bought the first book anyway because it was the only available reference at the time. Given this book is short and covers many similar topics, but in a better way, I wonder why the author did not consider adding the new content of this book to the first book in a revised and expanded edition instead of a new book. That would have created a complete and excellent quality book that has no match on the market today.I recommend the book to advanced amateurs and new professionals but I also recommended checking it in a bookstore first because some might not find it very valuable. It's just not one of those books that you can give full 5 stars and a blind buy it right away recommendation.One last note: the author refers to softboxes sizes as 4x6 large, 3x4 medium, and 2x3 small. This designation might be confusing for people when they go to buy softboxes based on his recommendation. Many major softboxes manufacturers including Creative Light and Photoflex label 4x6 extra large, 3x4 large, and 2x3 medium. Chimera on the other hand goes by the same designations the author is using.
This supplements his first book quite nicely. I have recently taken it upon myself to learn to use my lighting equipment properly. This was one area in which I was never trained. He writes this book assuming you know something about exposure and metering. It moves quickly, beats no subjects into the ground, and covers all the basics with excellent picture references. I highly recommend it! Now, where'd I put my light meter....
I have read Mr. Grey's work before so when I purchased some studio lights recently I went looking for a book to assist me. When I found this book I stopped looking.The examples are excellent (photos and diagrams) and as always the text is informative and easy to understand.I highly recommend this book to anyone getting started with studio lighting. Learn from a master photographer!
Help my photography.
As a classroom instructor of photography for twenty years, I appreciate the basic info that Chris Grey has compiled in his two lighting guides. This studio guide was a natural addition to my classroom required reading and reference book collection. Customers should consider his first book "Master Lighting Guide for Portrait Photographers" as "part 1" of this collection.
The book is very easy to follow with good photo examples. I keep the book as a reference and great source for inspiration. If I can't figure out how to do a lighting situation or run into a problem with my setup I find my answers in this book. I look forward to buying more books from Christopher Grey as his writing is down-to-earth and educational.
Christopher Grey's studio lighting is an excellent reference book for beginners or the full time pro. Beautifully illustrated with color photos showing high key, low key solutions with optional modifiers. How to use flash meter, sequence shots showing same head with short lighting, broad lighting,loop,rembrandt, and butterfly. Depth of light, hair and feathering. umbrellas, soft boxes strip boxes and his favorite large book end reflector panels. This is fine companion to his other books.
As someone who has been intimidated by this subject and taken refuge in the mantra 'available light is always best' this book was a revelation. I realised recently that most of the portraits I really like had usually employed some type of strobe lighting in a very subtle manner. This book has given me the insight into the techniques that might hopefully elevate my work to a new level.
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