Download PDF The Morality of Law: Revised Edition (The Storrs Lectures Series)

Download PDF The Morality of Law: Revised Edition (The Storrs Lectures Series)

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The Morality of Law: Revised Edition (The Storrs Lectures Series)

Download PDF The Morality of Law: Revised Edition (The Storrs Lectures Series)

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Review

"This is an exception in that it comes as close as is feasible to resenting legal philosophy in popular form. . . . He has managed the considerable trick of making his thoughts palatable and even entertaining."―Library Journal"An important contribution of general interest to the study of the nature and function of law. . . . Trenchant comment abounds throughout the book, and there is an immense amount of the most valuable material here, as well as considerable food for thought."―Law Times"Essential reading for all who are interested in following the growth of jurisprudence and in relating it to the sound scientific analysis of law."―The Annals"A most valuable and challenging essay on the nature of law."―Choice"For the beginner as well as the seasoned student of legal philosophy, The Morality of Law contains an excellent assortment of ideas demanding further thought."―Edwin W. Tucker, Indiana Law Journal"This is an important book. The background to it is the age-old controversy whether the validity of 'law' rests solely on formal criteria (Positivists), or an a moral element in addition to formal criteria (Naturalists). Professor Fuller argues persuasively in support of the latter."—Cambridge Law Journal"Although this book is small, its content is both deep and thought provoking. It should be read not only by Professor Fuller's colleagues in the teaching of jurisprudence, but also by all those academics and practicing lawyers who seriously maintain that their education did not cease with law school."—Ralph F. Bischoff, New York Law Journal"The Morality of Law will find a place among the important books in the history of American legal philosophy.  It includes insights into the relations between morality and law, and advances a theory of law of great practical relevance. . . . [This] is the best discussion of the demands of the rule of law in existing literature, . . . filled . . . with many brilliant insights. . . . The book should be widely read."—Robert S. Summers, Journal of Legal Education"The book is a provocative one which is certain to excite much academic comment here and abroad."—Harvard Law Record"To both students and scholars, this work is highly recommended. The author has opened many new avenues of inquiry while dealing with the many old questions raised in any discussion of morality and law and of natural versus positive law."—Gerald W. Johnson, Tennessee Law Review"Throughout this profound, imaginative and keenly analytical work, [Fuller] demonstrates his continuing concern with the tension in morality and law between the 'is' and the 'ought'. . . . A book of ideas should . . . provoke and contribute new thoughts. This book does both."―Barry R. Mandelbaum, New York Law Forum

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Product details

Series: The Storrs Lectures Series (Book 1963)

Paperback: 262 pages

Publisher: Yale University Press; Revised edition (1969)

Language: English

ISBN-10: 0300010702

ISBN-13: 978-0300010701

Product Dimensions:

5.2 x 0.8 x 8.2 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#446,578 in Books (See Top 100 in Books)

Great book

Good

Though it was written more than 50 years ago. The idea and theory can give me fresh insight into the utility of law.

The ultimate justification for the topics covered in this book might be that it recognizes certain disagreements about how law ought to be applied, that certain questions might be raised with any authority that seeks to apply laws in a manner which, according to Lon Fuller, seems to violate "practical wisdom applied to problems that may broadly be called those of social architecture. St. Thomas Aquinas stands for many as a kind of symbol of all that is dogmatic and theological in the tradition of natural law. Yet as one writer has recently pointed out, Aquinas in some measure recognized and dealt with all eight of the principles of legality discussed in my second chapter." (pp. 241-2). If anything, trying to impose morality on an enterprise as quixotic as the law is more likely to meet with indifference today than ever, and already in Chapter IV of this book, Fuller admitted that scholars could mean him when discussing "Law and Morals" and complaining: "Again, if this is what the necessary connexion of law and morality means, we may accept it. It is unfortunately compatible with very great iniquity." (p. 154). Just thinking about very great iniquity reminds me of what most people think prosecutors are for, and in the interest of harmony in the marketplace, I will make no further comments on this book. If only the law could always be so lucky.

It is difficult for me to deal with abstract conflicts on a theoretical level when I lack success in the kind of humor that appeals to me more than Fuller's attempt to wrap himself in the mantle of righteousness as he considers law as an interactive enterprise trying to create a context in which independent actors can go about their business without having to do anything about $14 trillion dollars that has already been spent. The Preface to the Second Edition, dated May 1, 1969, just a month before I went to Vietnam, was prepared during the year that I would have remained in Professor Fuller's Contracts class at Harvard Law School if I had not been drafted in Novcember, 1968. The fifth chapter, A Reply to Critics, prepared at that time, might as well give up trying to "trace the consequences of a particular action through the fabric of society unless that fabric itself preserves some measure of integrity." (p. 238). The monetary circumstances keep giving away any case that would be moral in outlook. As Fuller claims:one can imagine a lunaticerupting on the scene and demanding to knowwhere his intended victim is hiding (pp. 239-240)like Jack Ruby shooting Lee Harvey Oswald in the basement of the Dallas Police Station, if I recall November, 1963, as well as millions of Americans watching a TV network as it was showing the aftermath of the JFK assassination for those who expected to see some legal consequences of an action that changed the nature of the government within the Constitutional limits on the official actions of elected officials.A real shift in psychology noticed by Fuller:In sociology and legal anthropologythere is a discernable trendaway from structural theoriesand toward a study of interactional processes;I am told a similar shift has taken placeduring the last fifteen years in psychiatryand psychoanalysis. As for the law, . . .In this new climate of opinion,there is no longer any need to apologize for beingcritical of positivism,nor does one run any serious riskthat a rejection of positivism will be takento imply a pretension that one has established contactwith Absolute Truth. (p. 241).

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Published on: Maret 30, 2015 0

Download Provenance: How a Con Man and a Forger Rewrote the History of Modern Art, by Laney Salisbury

Download Provenance: How a Con Man and a Forger Rewrote the History of Modern Art, by Laney Salisbury

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Provenance: How a Con Man and a Forger Rewrote the History of Modern Art, by Laney Salisbury

Download Provenance: How a Con Man and a Forger Rewrote the History of Modern Art, by Laney Salisbury

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About the Author

Laney Salisbury, a graduate of the Columbia University Graduate School of Journalism, has reported from Africa, the Middle East, and New York. She lives in Brooklyn, New York.Aly Sujo was an investigative reporter, part of a husband-and-wife team with Laney Salisbury. He covered arts and entertainment for Reuters, the Associated Press, and the New York Daily News. He died in 2008.

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Excerpt. © Reprinted by permission. All rights reserved.

The grand moment in the reception finally arrived. Two white-gloved Tate conservators entered the room with a pair of paintings, each about five feet tall. There was a moment of respectful silence. Myatt was stunned.“Ahh, the Bissières, how lovely,”someone in the room whispered.Myatt cringed as the group praised the paintings and Drewe’s taste and generosity. The two works were carried around the room, and long before they reached Myatt, he recognized the faint but acrid smell of the varnish he had sprayed on them when he’d finished them a few weeks earlier.Myatt gripped his chair. If they so much as touched the canvas with a fine brush, the paint would give way and the game would be up. A little further investigative work would reveal that the pieces—purportedly painted more than forty years earlier—had been made with modern, ordinary house paint.The reception over, the Tate brass escorted Drewe and Myatt down the winding staircase. Stopping at a landing, one of the officials pointed at a place on the wall and said: “This is where we’ll hang these two wonderful pieces.”Placing a work at the Tate was a remarkable achievement for any artist—forger or not—but Myatt could see only one possible end to what had transpired. He had survived many low points in his past, but none as low as this. Surely he would end up in prison.Once in the taxi, Myatt, usually deferential toward Drewe, exploded. “You have to get them back.”Drewe argued that if they were to ask for the paintings back, it would involve a terrible loss of credibility, putting at risk all the time he had put into cultivating the confidence of the Tate’s archivists. But he also saw that as long as the twoc arelessly done forgeries remained in the hands of museum curators, Myatt would remain paralyzed by the fear that they would be his undoing.The following day Drewe was back at the Tate to withdraw the Bissières. There was a problem with their provenance, questions having to do with the previous owners. In place of the two works, he was prepared to offer a sizable cash donation to the Tate’s archives.Within days the Tate received a check for twenty thousand pounds (forty thousand dollars) to help catalog the archives, along with a promise of half a million more to come. With this donation, Drewe established himself as a respected donor for whom the doors of the heavily guarded archival department would stand open. The historical records of one of the world’s great museums, and its cherished credibility, were about to become irreparably compromised.

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Product details

Paperback: 352 pages

Publisher: Penguin Books (May 25, 2010)

Language: English

ISBN-10: 0143117408

ISBN-13: 978-0143117407

Product Dimensions:

5.5 x 0.9 x 8.4 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

152 customer reviews

Amazon Best Sellers Rank:

#74,218 in Books (See Top 100 in Books)

A large number of books have been published in recent years on the subject of fraudulent art. A few are autobiographical accounts, some are biographies, and many are academic studies on what motivates fakers, their techniques, and how they inject their phony works into the market. John Drewe, the central figure around whom the story of this book is built, is a uniquely clever and industrious con-man. As the title suggests, his complex swindle involved creating a bogus provenance for the fraudulent works he had commissioned. He insinuated himself into museum archives where he secretly inserted the forged documentation. It was a scheme that fooled much of the art establishment for years. Worse, he so debased the archives that they could never be entirely relied upon again. Provenance is a real life thriller and detective yarn, a factual account of a singular and elaborate scam. It provides a knowledgeable glimpse into the shady machinations, the greed and dangers of a secretive art world in which huge amounts of money change hands daily. It also delves into the strange world of John Drewe, a highly intelligent, inventive, but totally corrupt figure, a sociopath and pathological liar whose life is driven by falsehoods and fantasy. Provenance is a smoothly written and well researched book, a true account of remarkable events, one that is both instructive and pleasurable to read.

Wow! This is as good as any Tom Clancey or Grisham novel I have read!Although I had heard this was non-fiction, I was compelled in the middle of reading this book, to go online to see if Drewe and Myatt were, indeed, real people! And--they are real people!A fun and thought-provoking book!Kim BurdickStanton, Delaware

Published in 2009 after the death of one of the couple of authors this in depth presentation of an extraordinary series of art and documentation forgeries ever.Years of research were required to effectively present the deeds or misdeeds of John Drewe who seem to become the characters he pretended to be - a physicist, an heir to a remarkable art collection, a Mossad agent, a consultant to the British Atomic Energy Commission and the list goes on. All the while cleverly documenting and selling "modern masterpieces" to the leading dealers in London and elsewhere.John Myatt - failed painter is swept into this whirlwind of activity and doing a reasonably good job of creating masterpieces by Ben Nicholson, Roger Bissiere, Braques and Giacometti, Graham Sutherland et al.Drewe prepared an "authentic" provenance for each work and then used "runners" to present and sell them to the likes of Leslie Waddington, Daniel Stern, Peter Nahum among many others. Upwards of 200 works were made and sold.Drewe parlayed each meeting and relationship into a probable sale.Eventually he was caught and convicted but it took hard work, chance and luck to bring him down. He was never repentant and was also not out to embarrass the art world. Rather his success was aided by the lax standards where greed is involved.Although it is a tale related to the modern art world it seems more a story of the disintegration of moral and ethical standards in our world. The authors simply and clearly describe the facts and the events but the take away for me seems much more tragic and universal.

I very much enjoyed this book. I learned quite a lot about how the "art world" works. The story is a compelling one, the research seems solid, the writing is fluent and engaging, and the book is a remarkably easy read when you consider how much technical material is covered in it. The authors have a real knack for descriptive writing, making things that the reader cannot see real and solid in the mind's eye.However, there were three things that I found frustrating about the book. First, the lack of illustrations -- it seems as if the book would have been stronger if there had been images to help the non-expert understand the ways in which the forged pieces were good and the ways in which they fell short. Second, I was left with real curiosity about what Drewe had been doing prior to this scheme. I wish that the authors had managed to uncover this information. it seems odd to me that where they are willing to make educated guesses (always identified as such!) about other things, they had no theories to advance about this particular point. And finally, I find myself wondering where the painting Myatt says he did not do came from.These are minor quibbles, and should in no way stop anyone with an interest in art, in confidence games, or in interesting well-told stories from picking this book up and getting a great deal of enjoyment out of it.

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Provenance: How a Con Man and a Forger Rewrote the History of Modern Art, by Laney Salisbury PDF

Published on: Maret 13, 2015 0

PDF Ebook , by Paul C. Thornton

PDF Ebook , by Paul C. Thornton

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Product details

File Size: 39637 KB

Print Length: 363 pages

Simultaneous Device Usage: Unlimited

Publisher: BookBaby; 1 edition (February 19, 2019)

Publication Date: February 19, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07NZWKQ8H

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This was a really fun book! I love pictures and this book has a lot of neat pictures and stories about cruisers. I just got back from my second cruise. I wish I had had this book while I was lounging by the ship’s pool! I like this whole premise and I will definitely recommend this book to others. I hope there’s a sequel!

I enjoyed reading about what passions my fellow cruisers have and how they act on those passions. Very nice read.

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Published on: Maret 07, 2015 0